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PROGRAM Thursday, July 5, 2001 4:00 pm Registration Lobby, Morrison Center for Performing Arts 6:00 pm Reception Boise City Depot 7:30 pm Concert: Women Composers at the Millennium I Concert Program Aquel
Adagio
Diana Elena Rud Temple
Icons
Allison Adah Johnson Trio
No.
1
Katrina Wreede Tango
Suite
Adriana Isabel Figueroa Mañas Prayers
in the
Wind
Yung Wha Son a
very quiet floWing
Man-yee Lam Satori
Renee T. Coulombe
Friday, July 6, 2001 8:00
am Registration Lobby,
Morrison Center for Performing Arts 8:30-10:00 AM Sessions 1:1 Panel: Gender and Tonality Chair: Blake Tyson 8:30 Robin James, “Putting Together an Existence as One Puts Together an Opera”: Kristeva, Don Giovanni, and Feminist Criticism at the Intersection of Psychoanalysis and Musicology 8:50 Jean Littlejohn, François-Joseph Fétis and the Gendering of Tonality 9:10 Renee T. Coulombe, Dissonance Unbound: The Emancipation of “The Other” in Western Polyphony
1:2 Panel: Stories of Women’s Lives Chair: Tomie Hahn 8:30 Andrea Lowgren, Why Marriage and Music Don't Mix, or The Story of Composer Elisabeth Lutyens 8:50 Anglique van Berlo, The Accordion a Feminist Instrument? Pauline Oliveros Negotiating Alternatives to European Modernist Ideologies 9:10 Elizabeth Keathley, Does Electronic Music Have a Gender?
10:00-11:30 AM Sessions 2:1 Panel: Women’s Performance Practice Chair: Liana Tyson 10:00 Sarah Day-O’Connell, The Unheard Sigh: Haydn's Settings of Poetry by Anne Hunter and the Construction of the "Private Sphere" 10:20 Jessica M. Courtier, Ladies at the Keyboard: Performing Gender and Haydn's Piano Trios 10:40
2:2 Panel: Communities of Music Chair: Ivan Raykoff 10:00 J. Michele Edwards, Singing Values 10:20 Catherine Parsons Smith, An Operatic Skeleton on the Western Frontier: Zitkala-Sa, William F. Hanson, and “The Sun Dance Opera” 10:40 Mary Anne Long, The Haresfoot Club Between the Wars: Singing through the Feminine Voice on the University Stage 11:30-1:00 PM Lunch on your own
1:00-2:30 PM Sessions 3:1 Panel: Gender and Identity: Race Chair: Deborah Wong 1:00 Allison Adah Johnson, Transformative Sounds, Transcending Cultures: Music of Gender and Hybridity 1:20 Maria Johnson, “Qualified and Able”: African American Blues Women Playing Electric Guitar 1:40
3:2 Panel: Gender and Text Chair Carol Matthews 1:00 Rosemary Killam, Can Text Setting Reveal Gendered Compositional Techniques? 1:20 Diane Follet, Feminine Voices in the French Mélodie 1:40 Debra Penberthy, Performed Autobiography: Unveiling the Fact, Fiction, and Ideology in My Song Cycle The Weaver
2:30-4:00 Sessions 4:1 Panel: Women in Opera Chair: Laura Rushing-Raynes 2:30 Edith Zack, Reading Salome’s Dance as “Other” 2:50 Claire Detels, “Ah dagli scanni eternei:” Verdi’s Invocations to the Absent Mother 3:10 James Currie, “Vitellia is” (Re)Presented
4:2 Panel: Historical Perspectives Chair: J. Michele Edwards 2:30 Olivia Mather, Modal Alternation, Subjectivity, and Hildegard's Sequences 2:50 Giselle Wyers, Contemporary Hildegard Settings: Collaboration or Appropriation? 3:10 Joseph Baldassarre, Performance Practices in Troubadour Song: The Comtess de Dia's A chantar
4:00-5:30 Sessions 5:1 Panel: Gender and Identity: Masculinity Chair: Ivan Raykoff 4:00 Yoko Suzuki, Masculinity in Jazz Saxophone Performance from the Perspective of Female Saxophonists 4:20 Shana Goldin-Perschbacher, Vocalized Gender Identity: Jeff and Tim Buckley as Dream Brothers 4:40 Eric Wood, A Classically-Set Precedent? Gender-Bending, the Castrati, and Contemporary Artists
5:2 Panel: Women’s Creative Aesthetic Chair: Carol Matthews 4:00 Jo Stapleton, "A Room of One’s Own in Eden”: Ethel Smyth, Virginia Woolf and the Formation of Female Creativity Aesthetic 4:20 David Saunders, Innovative Compositional Techniques in the 1960s and 70s: Music for Horn and Piano by Thea Musgrave, 1971 4:40 6:00-7:00 PM: Reception Rose Room 7:00-9:00 PM: Banquet/Keynote Address Roberta
Lamb Rose Room
Saturday, July 7, 2001 8:00
am Registration Lobby,
Morrison Center for Performing Arts
8:30-10:00 AM Sessions 6:1 Panel: Gender and Identity: Lesbian Chair: Jennifer Rycenga 8:30 Jenny Bryan, Lesbian-ness, Fetish, Fandom, and Genderfuck: Introducing PJ Harvey and Some of My Favorite Imaginary Friends 8:50 Martha Mockus, How Do I Sound? Lesbian Subjectivity and Music of Go Fish 9:10 Eleonora M. Beck, Teaching Music History from Outside the Closet
6:2 Panel: Gender and Power Chair: Renee T. Coulombe 8:30 Susan Mina Agrawal, The Apocryphal Judith's Female Authority: Representations of Judith by Women Artists 8:50 Elizabeth A. Wells, Me and Velma Ain't Dumb: The Women of West Side Story 9:10 Elizabeth Joyce, Power and Gender in Mozart's The Marriage of Figaro and Don Giovanni
10:00-11:30 AM Sessions 7:1 Panel: Gender and Identity: Ambiguities Chair: Philip Brett 10:00 Kevin Clifton, Poulenc's Aubade: A Musical Confession from the Closet 10:20 Jeremy A. Chesman, Gender Presentations in Women's Rap Music 10:40
7:2 Panel: Cultural Practices Chair: Ellie Hisama 10:00 Marianne Lambelet, She Perfumes the Ayre with Her Breath: Gender and Culture in Early Modern Song Dedications 10:20 Susanne Dunlap, The Nightingale and the Nun: Nature, Gender and Power in Handel's L'Allegro 10:40 Naomi André, Haunting Legacies: The Castrati in the Early Nineteenth Century
11:30-1:00 PM Lunch on your own
1:00-2:30 PM Sessions 8:1 Panel: Sexuality and Violence Chair: Jennifer Rycenga 1:00 Sevin H. Yaraman, Clara Wieck's Walzer: An Invitation to Dance 1:20 Christina Baade, Romance in the Desert: The Propaganda Trail of “Lili Marlene” 1:40 Elizabeth Keathley, A Context for Eminem's “Murder Ballads”
8:2 Concert: Music by Women Composers 1:00
Imbaté: A Concert of Music by Women Composers Concert Program Hot Water/Burn Baby Roshanne Etezady Herstory IV Elizabeth Vercoe Seven Haiku Katherine Hoover Silenzio della Terra Jane O'Leary Snow Walker Carol L. Matthews
2:30-4:00 PM Sessions 9:1 Panel: Pleasure and Performance: The Outer Limits Chair: Ellen Koskoff 2:30 Tomie Hahn and Curtis Bahn, “I Hear Music When She Moves”: Gender and Pleasure Within an Electronic Context 2:50 Fred Everett Maus, Submissive Listening 3:10 Elizabeth Tolbert, Theorizing the Musically Abject
4:00-5:30 PM Sessions 10:1 Panel: Pleasure and Performance: Ethnography & Experience Chair: Ellen Koskoff 4:00 René T. A. Lysloff, Dangerous Emotions: The Anxiety of Musical Pleasure in Java 4:20 Deborah Wong, Anger and Erotics in Taiko 4:40 Ellen Koskoff, Discussant
5:30-7:30 PM Dinner on your own
7:30 PM Special Performance Recital Hall, Morrison Center for the Performing Arts Pikapika
Curtis Bahn
8:00 PM Concert: Women Composers at the Millennium II Recital Hall, Morrison Center for the Performing Arts Concert Program I
Write This Song Out of
Darkness
Elizabeth Alexander primus
homo corruit...
Stephanie Johnson electronic tape A
Camel Lying On My
Heart
Joelle Wallach The
Apples
Suite Rosemary Austen Unfold/Entwine
Diane Thome Sunday, July 8, 2001 8:30-10:00 AM Sessions 11:1 Panel: Modern Times, Modern Women: Redefining the Boundaries of American Musical Modernism Chair: Catherine Parsons Smith 8:30 Kara Gardner, The American Composer Becomes a Self-Made Man: Modernist Misogyny and Its Consequences 8:50 Nancy Rao, Gendered Ethnicity and American Music Modernism of the 1930s 9:10 Laurie Blunsom, Flappers, Suffragettes and the New Woman: Gender and Sexuality in Tin Pan Alley 11:2 Panel: Gender and Music Education Chair: Roberta Lamb 8:30 Sondra Wieland Howe, Women's Participation in the Music Department of NEA 8:50 Kathleen McKeage, “Where are all the Girls?” Women in Collegiate Instrumental Jazz 9:10 10:00-11:30 AM Sessions 12:1 Panel: Gender and Popular Music Chair: Jeanne Belfy 10:00 Rebecca Daugherty, The Spirit of ‘77…Punk and the Girl Revolution 10:20 Lloyd Whitesell, Strict Pedal Points in Early Joni Mitchell 10:40 Ivan Raykoff, "Killing Me Softly" (Un)Covered: Sexual/Textual Violations
12:2 GRIME Meeting Chair: Elizabeth Gould 11:30 AM-12:30 PM Session 13:1 Plenary Session Chair: Elizabeth Gould Participants:
Philip Brett
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